Monitored Alarm Systems

The Internet is blamed for both. This loose collective of millions of users and websites is blamed for everything from killing large industries to have children in the world short attention txt demons. The Internet will kill the art through piracy, we are assured repeatedly. A new generation of children will increase in the pale and ethereal LCD screens fed by thousands of friends on Facebook.

Today, the internet is accused of filicide. In a post entitled "How the internet killed Carly Rae Jepsen," Katherine St. Asaph applies his detective skills to solve the mystery of why Jepsen album was met with large amounts of indifference. First, he recounts the rapid rise "Call Me Maybe" the inevitable phenomenon that we briefly entertained between Rebecca Black "Friday" and Psy "Style Gangnam."

Tastemakers
heard, then the magnates who were trendsetters de facto, and spread to the audience who knew nothing about the singer with the exception of this beautiful something she had written. They fell in love at first listen. They paid. They sang. They recorded karaoke videos and public Swoon bands and reconstructions of their summer love video. They sent him to number 1 for the summer and apparently sent the singer to what seemed to be an awful lot like the celebrity dazed.

Not everything that sounds absolutely horrible? Apparently, St. Asaph Jepsen prefer to wallow in the dark so that you never have to be disappointed by the fact that she had lost and glory. Instead, it is better than I did, if I'm following the logic of this correctly.

Jepsen and his cronies both agreed it was better to strike while the iron is still hot and ventured into the studio with enough co-producers and composers to drown a tribute " Lou Perlman "compilation. Jepsen's debut album was released and quickly fell under the radar of the public and may not exceed 100,000 sales. This type of situation is not unique. Many major success was followed by a strong sucking sound that fans rush to examine the next big thing, creating a temporary vacuum in its wake.

St. Asaph describes the role of the Internet well-being chronicled in the rapid increase of the glory Jepsen, however, is not so much the rise to stardom that the concerns of St. Asaph (and led to murder charges against the Internet). This is what happened for

increase. In its opinion, the Internet killer took the spotlight off Jepsen talented and informed himself, taking something vital away from a true artist with the endless stream of remixes, lip dubs, macros, images, bridges and other forms of public participation.

This seems contradictory, it should help thousands of people Jepsen mixture, and also rejoice to recreate your song? But even Jepsen is not, but her singing, and it is secondary ... This is the problem faced by Carly Rae Jepsen is. Amoroso "Call Me Maybe" as not even to any person related to it as a musician



This may seem unfortunate, but hardly unique, is not again. Certainly not an "Internet" problem. In fact, the quotes "problem" too. Super popular pop stars rarely adopted as artists. They kissed as a temporary phenomenon, a moment of distraction to enjoy next move until their wave.
Long before the Internet was meming artists to death on a regular basis (in daylight!) People have been collecting and rejecting pop phenomena almost as quickly. (If you do not want a lot of horrible songs stuck in your head, you can skip the next paragraph.) Remember the "Macarena?" Is anyone two
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